Thursday, September 28, 2017
Monday, September 25, 2017
Helvetica Project
Helvetica Project
1. Where does Helvetica originate from? What country?
Switzerland
2. What does the name Helvetica mean in English?
Swiss
3. What year was Helvetica created, who created it?
It was developed in 1957 by Max Miedinger
4. What is the design style that Helvetica brought to popularity worldwide?
The Swiss style
5. Name 3 qualities of Helvetica.
Simple, Comprehensible, Clean
6. List the names of 3 different design styles or design movements that are discussed in the film.
Modernism, Swiss Design, Post Modernism
7. Which screen fonts did Matthew Carter design?
Bell Centennial,Big Caslon, ITC Galliard, Mantinia, Miller, Verdana, Walker
8. What is the cloned version of Helvetica called?
Arial
9. Is David Carson a trained designer? How does it affect his approach?
No he is not a trained designer which gives him more freedom when creating typefaces
10. What magazine did David Carson Design?
Ray Gun
11. Name 5 brands that use Helvetica.
Supreme, American Apparel, Microsoft, Apple, Intel
Examples of Helvetica:


1. Where does Helvetica originate from? What country?
Switzerland
2. What does the name Helvetica mean in English?
Swiss
3. What year was Helvetica created, who created it?
It was developed in 1957 by Max Miedinger
4. What is the design style that Helvetica brought to popularity worldwide?
The Swiss style
5. Name 3 qualities of Helvetica.
Simple, Comprehensible, Clean
6. List the names of 3 different design styles or design movements that are discussed in the film.
Modernism, Swiss Design, Post Modernism
7. Which screen fonts did Matthew Carter design?
Bell Centennial,Big Caslon, ITC Galliard, Mantinia, Miller, Verdana, Walker
8. What is the cloned version of Helvetica called?
Arial
9. Is David Carson a trained designer? How does it affect his approach?
No he is not a trained designer which gives him more freedom when creating typefaces
10. What magazine did David Carson Design?
Ray Gun
11. Name 5 brands that use Helvetica.
Supreme, American Apparel, Microsoft, Apple, Intel
Examples of Helvetica:


Wednesday, September 20, 2017
Color Theory Project


Questions:
1. Red, Blue, Yellow
2. You mix primary colors to get secondary colors EX. Blue + Yellow = Green
3. You mix a primary color with a secondary color to get tertiary colors EX. Red + Orange = Red-Orange
4. Additive color models are light generated, Subtractive color models are created from pigments
5. It can influence the taste of food and certain colors attract our eyes and deliver certain moods
6. Certain colors can highlight other colors causing them to be the main focal point
7.

8.

9.
Monday, September 18, 2017
Design and Typography
Design and Typograph
Typography
- Legibility vs Readability
- Expressive fonts/type fore eye catching readability
- Clean serif/sans-serif fonts/type for smaller body copy
- Sans-serif fonts designed for screen viewing assist in readability
Legible Type faces: Baskerville, Frutiger, Futura, Garamond, Gill Sans, Helvetica, Palatino, Times New Roman
Serif: reads best at smaller sizes, can be complimentary
Font Variance: Too many fonts confuse the reader
- use 2 fonts
Definition: Fonts that are too similar cause ambiguity
Readability: Use upper and lower case letters for optimum clarity
Alignment: Left alignments reads easiest, consider eye flow as it moves down a page
Emphasis: Use these tools with discretion and without disturbing eye flow
Integrity: Avoid stretching or distorting type
Weight: Strive for a sense of balance
Kerning: Is the spaces in-between letters
Tracking: Is when your applying letter spacing, but in paragraph
Large Text Blocks: Rags
- Strive for consistent, rhythmic rags
- The purpose of effective rags is not only to achieve aesthetic beauty
Consistant Spacing
-
Typography
- Legibility vs Readability
- Expressive fonts/type fore eye catching readability
- Clean serif/sans-serif fonts/type for smaller body copy
- Sans-serif fonts designed for screen viewing assist in readability
Legible Type faces: Baskerville, Frutiger, Futura, Garamond, Gill Sans, Helvetica, Palatino, Times New Roman
Serif: reads best at smaller sizes, can be complimentary
Font Variance: Too many fonts confuse the reader
- use 2 fonts
Definition: Fonts that are too similar cause ambiguity
Readability: Use upper and lower case letters for optimum clarity
Alignment: Left alignments reads easiest, consider eye flow as it moves down a page
Emphasis: Use these tools with discretion and without disturbing eye flow
Integrity: Avoid stretching or distorting type
Weight: Strive for a sense of balance
Kerning: Is the spaces in-between letters
Tracking: Is when your applying letter spacing, but in paragraph
Large Text Blocks: Rags
- Strive for consistent, rhythmic rags
- The purpose of effective rags is not only to achieve aesthetic beauty
Consistant Spacing
-
Thursday, September 14, 2017
Tuesday, September 12, 2017
Color Theory
Design Color Theory
- Primary-Secondary-Tertiary
Primaries
- Blue, Red, Yellow
ROYGBV
- red, orange, yellow, green, blue, violet
- Light travels in waves. Different colors have different wave lengths
- Pigment generated colors are delivered from the primary colors
Secondary: mixing primary colors creates other colors. Ex. RED+BLUE=PURPLE
Tertiary: a combination of primary and secondary colors
Subtractive Color: pigment generated
Additive Color: light generated
Color Modes:
Monochrome
- Tints, shades and tones of a single hue
Grey Scale
- Black and White only
Web Safe RGB
- Hexadecimal compatible
Color Modification
Tints: Add white to a pure hue
Shades: Add black to a pure hue
Tones: Add grey to a pure hue
Color Harmony
Complimentary: yellow+purple+orange+blue+green+red
- opposite to each other on the color wheel
Split Complimentary: across from and two to the right or left
Analogous: colors next to each other on the color wheel
Triad: triangle in the center of the color wheel each point being the color
Tetratec: Rectangle in the center of the color wheel each corner is chosen color
Quadrilateral: Square in the center of color wheel each corner is chosen color
Color Palettes: Different color palettes can invoke a mood, location, emotion
Color intensity: Color intensity changes in relation to its surrounding color
Color Allocations: These types of color associations are universal to all people
Cultural and psychological color association: these color associations are generated from cultural and contemporary sources
- Primary-Secondary-Tertiary
Primaries
- Blue, Red, Yellow
ROYGBV
- red, orange, yellow, green, blue, violet
- Light travels in waves. Different colors have different wave lengths
- Pigment generated colors are delivered from the primary colors
Secondary: mixing primary colors creates other colors. Ex. RED+BLUE=PURPLE
Tertiary: a combination of primary and secondary colors
Subtractive Color: pigment generated
Additive Color: light generated
Color Modes:
Monochrome
- Tints, shades and tones of a single hue
Grey Scale
- Black and White only
Web Safe RGB
- Hexadecimal compatible
Color Modification
Tints: Add white to a pure hue
Shades: Add black to a pure hue
Tones: Add grey to a pure hue
Color Harmony
Complimentary: yellow+purple+orange+blue+green+red
- opposite to each other on the color wheel
Split Complimentary: across from and two to the right or left
Analogous: colors next to each other on the color wheel
Triad: triangle in the center of the color wheel each point being the color
Tetratec: Rectangle in the center of the color wheel each corner is chosen color
Quadrilateral: Square in the center of color wheel each corner is chosen color
Color Palettes: Different color palettes can invoke a mood, location, emotion
Color intensity: Color intensity changes in relation to its surrounding color
Color Allocations: These types of color associations are universal to all people
Cultural and psychological color association: these color associations are generated from cultural and contemporary sources
Monday, September 11, 2017
Wednesday, September 6, 2017
Principles of Elements of Design
What is Graphic Design
- can exist in 2 to 3 dimensions
- can refer to positive and negative space
- can refer to foreground mid or background elements
Line
- is a basic element, it can vary in thickness, texture, direction
Color
- certain color palates can evoke emotion or concept
Shape
- can be geometric, organic, or hand made
- used to organize information
- geometric shapes can direct movement
- organic shapes compliment other shapes
Texture
- organic elements are great tool to create texture
- texture adds interest and conveys a mood
Value
- Light vs Dark to create dimension/depth
- can be used on graphics
Balance
- doesn't have to be symetrical
- focus on visual balance
Design Principles
- creates a sense of order, a consistency in size and shape
- proximity can create a sense if unity, it can show a lack of unity
Variety
- strive to change things up and do new things
Repetition
- the use of the same elements repeatedly
Harmony
- things work well together
- similar to unity
Proximity
- be aware of how much eye movement is required to scan for information
- to create information hierarchy
Proportionality
- rule of thirds
- fibonacci spiral is cool
Emphasis
- having a central focus point that the background points too
- color can make something become a focal point
Functionality
- functionality over stylization
- design elements are the basic units of a visual image
- the principles of design govern the relationships of the elements used and organize the composition as a whole
- all imagery, art, design and photography alike, are comprised of elements that can be broken down and analyzed. this goes for web design as well
- space
- line
- color
- shape
- texture
- value
- balance
- can exist in 2 to 3 dimensions
- can refer to positive and negative space
- can refer to foreground mid or background elements
Line
- is a basic element, it can vary in thickness, texture, direction
Color
- certain color palates can evoke emotion or concept
Shape
- can be geometric, organic, or hand made
- used to organize information
- geometric shapes can direct movement
- organic shapes compliment other shapes
Texture
- organic elements are great tool to create texture
- texture adds interest and conveys a mood
Value
- Light vs Dark to create dimension/depth
- can be used on graphics
Balance
- doesn't have to be symetrical
- focus on visual balance
Design Principles
- unity
- variety
- repetition
- harmony
- proximity
- proportionality
- functionality
- emphasis
- creates a sense of order, a consistency in size and shape
- proximity can create a sense if unity, it can show a lack of unity
Variety
- strive to change things up and do new things
Repetition
- the use of the same elements repeatedly
Harmony
- things work well together
- similar to unity
Proximity
- be aware of how much eye movement is required to scan for information
- to create information hierarchy
Proportionality
- rule of thirds
- fibonacci spiral is cool
Emphasis
- having a central focus point that the background points too
- color can make something become a focal point
Functionality
- functionality over stylization
Friday, September 1, 2017
Subscribe to:
Posts (Atom)


